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Some of My Books

  • : The Fall of the Republic

    The Fall of the Republic
    In a parallel timeline, 1990s America discovers the chronoplanes: parallel worlds at different points in history.

  • : Rogue Emperor

    Rogue Emperor
    The hijacking of the Roman Empire, 100 AD, by 21st-century Christian fundamentalists, in the second of the Chronoplane Wars novels.

  • : The Empire of Time

    The Empire of Time
    My first novel, published in 1978, but the last in the Chronoplane Wars trilogy.

  • : Gryphon

    Gryphon
    "Write a space opera," my editor said. So I did, with some nanotech thrown in.

  • : Tsunami

    Tsunami
    A companion novel to Icequake, set mostly in California.

  • : Icequake

    Icequake
    A disaster thriller (Antarctic ice sheet surges into ocean), dated but still fun.

  • : Eyas

    Eyas
    Originally published in 1982, and still the novel I'm most proud of.

My Blogs

« May 2008 | Main | July 2008 »

A film about Dalton Trumbo

Dalton Trumbo was one of my first mentors when I was a teenager with ambitions for a writing career. So I'm happy to see this New York Times review of the movie his son Christopher has written about him: When an eloquent voice was stilled by Hollywood. Excerpt:

Peter Askin’s stirring documentary “Trumbo” gives you reasons to cheer but also to weep. It makes you lament the decline of the kind of language brandished with Shakespearean eloquence by Dalton Trumbo, the blacklisted Hollywood screenwriter, in his witty, impassioned letters excerpted in the movie.

Some of those letters, collected in the 1999 volume “Additional Dialogue,” are delivered as forceful dramatic soliloquies by a battery of distinguished actors including Joan Allen, Brian Dennehy, Michael Douglas, Paul Giamatti, Nathan Lane, Liam Neeson, David Strathairn, Josh Lucas and Donald Sutherland.

Another cause for lament is the shortness of historical memory in today’s climate of infinite distraction. Why chew on the unhappy events of six decades ago when you can drool over pictures of Brangelina or get lost in the latest video game? Anyway, who cares what happened way back then?

Writers in particular should care because it can (and will) happen again. Whatever you think of Dalton Trumbo's political judgment (clearly not good), his integrity and courage were exemplary.

A highly unlikely story

Via The Globe and Mail: Young authors turn online collaboration into book deal. Excerpt:

Two 21-year-old women have landed a book deal after writing a book together online in only 18 days. Danielle Bennett, from Victoria, and Jaida Jones, from New York, managed to attract the attention of a major publishing house with a fantasy novel featuring flying metal dragons, magicians and an all-out battle between warring rivals.

“It's still unbelievable,” said Ms. Bennett in Victoria, where she grew up. “There are still times when I flip through this book and say, ‘Did we write this?' ”

The hardcover version of Havemercy will be released across North America this week. The anticipation of the 400-page book hitting store shelves is leaving both authors nervous and excited.

“We're pretty stunned most of the time,” said Ms. Jones, who was in Victoria to visit with her co-author and celebrate their accomplishment. “We're keeping our fingers crossed that it will do well.”

This story is news precisely because it's so unusual: the means of collaboration, the speed of production, the acquisition of an agent by unknown writers. Yes, it happens. I'm delighted for these two young writers, but other writers shouldn't beat themselves up because their own projects (collaborative or not) haven't succeeded.

Gore Vidal: The Old Lion Can Still Growl

I must have been 13 or 14 when I read my first Gore Vidal novel, an SF tale called Messiah. It was about a death cult that arises in the US and takes over the word. Since then I've read a lot of his other fiction, and much of his nonfiction.

He's a fine writer, able to work in many genres: SF, historical fiction, screenplays, satire. If you haven't discovered him yet, you have a treat (and a shock) coming.

Vidal is appealing because he's very smart, knows more than you or I ever will, and honestly doesn't give a damn what you or I think about anything. Here's an interview with him, published on June 15 in The New York Times: Questions For Gore Vidal - Literary Lion.

What do publishers want?

Several young writers have recently posted comments asking about whether their novels are the right length for young-adult publishers.

I'm delighted to see so many ambitious writers, and I wish them all every success. But they shouldn't ask me—they should ask the publishers.

Here, for example, are the Penguin Young Readers Group Submission Guidelines.

These guidelines are typical of what you can expect. Yes, they are brutal. Yes, they are discouraging. This is a very tough business. Only a handful of people actually make a living by writing novels, and for the young-adult market the handful is even smaller.

But don't give up. Here's what I suggest you do:

1. Look at who's published the books you really like—the books that made you want to write your own. Google them and look for the link to their submission guidelines. No guidelines? They don't want to hear from you. Don't waste your time. Look elsewhere.

2. If they do offer guidelines, follow them. If they say they look only at manuscripts that agents submit to them, look at sites like WritersNet, which has a page of agents who handle young-adult stories.

3. Do not expect these agents to jump on your manuscript just because you're a kid who wrote a story. Musical prodigies sometimes perform at Carnegie Hall. Literary prodigies almost never break into print.

4. If you do find an agent who actually takes your manuscript, understand that the agent does not expect to make any money from it. The agent will get 15% of your royalties. Fifteen percent of $10,000 is $1,500—not enough to pay the rent for two months, and you're unlikely to earn $10,000 to begin with. The agent hopes that after two or three novels, you might attract enough readers to earn a few thousand dollars in royalties.

5. If you have an agent who's willing to shop your manuscript around, great. But get right to work on the next story, and don't worry about the first one. If it does sell, the publisher will want a follow-up. If it doesn't, the new manuscript will probably be better than the first one.

6. If all else fails, think about this: Almost no teenager publishes a novel. But a teenager who writes a novel knows that it doesn't take your whole life to do it. It's a lot of work, but you can finish a novel in six weeks or six months or a year. Then you can write another one, and another one.

One of my mentors, when I was a kid, was Dalton Trumbo, a screenwriter and novelist. His novel Johnny Got His Gun, published almost 70 years ago, is still read and revered as perhaps the greatest American anti-war novel.

Trumbo worked for ten years on the night shift of a Los Angeles bakery in the 1920s and 30s. In that time he wrote six novels and over 80 short stories. None of them sold. Finally he sold a short story. Then another. He wrote Johnny in six weeks while also working as a screenwriter.

He couldn't have written it as a teenager, or as a first novel. He needed to write a lot of fiction, novels and short stories, just to teach himself the craft.

So I'm delighted that you're writing a novel, or that you've finished one. By all means try to find a publisher, but don't give up just because the first one turns you down.

If you want to succeed in this business, Trumbo told me, you need just two things: ego and energy. You need to think that the ideas in your head are so important that the rest of the world ought to know about them. And you need the energy to write and market them, which may take years.

If you're in your teens and already writing novel-length fiction, chances are you have both ego and energy. So keep at it. Write what matters to you, and eventually some publisher will realize that it will matter to a lot of readers as well.

Advice for Young Writers

A commenter tells us she's 13 and about halfway through a science-fiction novel; how can she find a publisher?

It's encouraging to see so many teenagers with the drive and discipline to write book-length fiction. I offered some detailed advice on the subject back in 2006, in this post.

For a little more advice, see my online course, Write a Novel, which has a lesson on researching agents and publishers.

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